There is something which is called “art” and distinguishes some of the existing objects from all other objects. Why do these specific objects touch our senses and appear as “different”? There is a way of treating each language unit, by simply adding a further meaning to those of the term used in “an informal conversation or in a scientific discussion”(Schutz 1996). When we are facing a complex concept, symbols are employed in order to recall a variety of meanings, a polysemy which “aims” at being ambiguous (Griswold 1997).
|Digital Object Identifier (DOI):||http://dx.doi.org/10.23737/METIS2020_1|
|Titolo:||Il “segno artistico”: una prospettiva sociologica|
|Appare nelle tipologie:||1.1 Articolo in rivista|